Theatre Summer Festival 2016

City:
Moscow

Cinemas:
Baltika
Cinema Park 5th Avenur
Cinema Park Kaluzhskiy
Cinema Park Metropolis
CINEMA PARK Rivera
CINEMA PARK Schelkovsky
COSMIK Yasenevo
Documentary Film Center
Eldar
Formula Kino CDM
Formula Kino Chertanovo
Formula Kino Europa
Formula Kino Horizont
Formula Kino na Polezhaevskoy
Formula Kino Praga
GUM Cinema Hall
KARO 10 Schuka
KARO 11 Oktyabr
KARO 7 Atrium
KARO 8 Kapitoliy Vernadskogo
KARO 8 Yuzhnoe Butovo
KARO Sky 17 Aviapark
KARO Vegas 22
Kinostar De Luxe at MEGA Teply Stan
Kronverk Cinema Lefortovo
Luxor Center
Luxor Gudzon
Mirage Cinema Evropolis
Mori Cinema Kuntsevo
Moskino Vympel
Moskino Zvezda
Philharmonic 2 Concert Hall
Tretyakov Gallery. Engineering Building

Dates:
1 July – 30 September 2016



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Дягилевский фестиваль: Травиата
Diaghilev Festival: Traviata

Countries: Russia, Denmark, Austria, Luxembourg
Year: 2016
Cast: Nadezhda Pavlova, Airam Hernández, Dimitris Tiliakos, Natalia Buklaga, Vladimir Taisaev
Musical Director and Conductor : Teodor Currentzis
Director: Robert Wilson
Set and Lighting Designer: Robert Wilson
Co-Director: Nicola Panzer
Costume Designer: Yashi
Chorus Master: Vitaly Polonsky
Genre: opera
Language: Italian
Translation: russian subtitles
Time: 2 hours 36 minutes
Возраст: 16+

Libretto by Francesco Maria Piave, based on Alexandre Dumas-fils’s play La Dame aux Camélias

The opera was written in 1853. This version will be first performed in Perm in 2016

A co-production by Perm Opera and Ballet Theatre, Unlimited Performing Arts (Denmark), Landestheater Linz (Austria) and Théâtres de la Ville de Luxembourg (Luxembourg)

A blockbuster operatic melodrama from the most “calm and collected” stage director of our time – a disciple of experimental theatre, the outstanding American director Robert Wilson. His strange, abstract, surreal pictures engender gasps of adulation. The fact that Wilson is to stage an emotional opera from Verdi is already intriguing.  The source of the plot of La Traviata is a novel by Alexandre Dumas fils, which he subsequently adapted for the stage.  A courtesan appearing on stage as the main heroine, who sacrifices her love for a young aristocrat for the sake of his happiness and career, was perceived by the Minister of Police as undermining public morals. The matter was complicated by the fact that the inspiration behind the character of the courtesan was a real person – a demi-monde lady, known in the salons of Paris, and Dumas fils’ mistress. As a result, the play was banned from the stage in France for a long time. Verdi provoked no less public outcry subsequently and was responsible for putting a heroine with such questionable social status on opera stage for the first time.

Images