The Golden Mask in Cinema 2017
City:
Moscow
Cinemas:
Cinema Park Kaluzhskiy
Cinema Park Metropolis
CINEMA PARK Rivera
Documentary Film Center
Eldar
Formula Kino CDM
Formula Kino Chertanovo
Formula Kino Europa
Formula Kino Horizont
Formula Kino na Polezhaevskoy
Formula Kino on Michurinskiy
Formula Kino Praga
KARO 10 Schuka
KARO 11 Oktyabr
KARO 7 Atrium
KARO 8 Kapitoliy Vernadskogo
KARO 8 Yuzhnoe Butovo
KARO Sky 17 Aviapark
KARO Vegas 22
Kronverk Cinema Lefortovo
Luxor Center
Luxor Gudzon
Mori Cinema Kuntsevo
Dates:
17 February – 30 June 2017
Partners:
The Golden Mask Festival
CoolConnections
supported by Ministry of Culture of Russia
Choose city for details:
- Anadyr
- Arkhangelsk
- Astrakhan
- Bryansk
- Chelyabinsk
- Cherepovets
- Fryazino
- Glazov
- Irkutsk
- Izhevsk
- Kaliningrad
- Kazan
- Khabarovsk
- Kirov
- Krasnodar
- Krasnogorsk
- Krasnoyarsk
- Kursk
- Lipetsk
- Lobnya
- Miass
- Minsk
- Moscow
- Murmansk
- Mytishchi
- Nizhny Novgorod
- Norilsk
- Novoagansk
- Novokuznetsk
- Novosibirsk
- Omsk
- Orenburg
- Pechora
- Penza
- Perm
- Petropavlovsk-Kamchatskiy
- Petrozavodsk
- Pskov
- Pyatigorsk
- Reutov
- Rostov-on-Don
- Ryazan
- Saint Petersburg
- Samara
- Saratov
- Severodvinsk
- Smolensk
- Sochi
- Stavropol
- Strezhevoy
- Surgut
- Syktyvkar
- Tolyatti
- Tula
- Tver
- Tyumen
- Ufa
- Ulan-Ude
- Ulyanovsk
- Veliky Novgorod
- Vladikavkaz
- Vladimir
- Vladivostok
- Volgograd
- Voronezh
- Yaroslavl
- Yekaterinburg
Золотая маска: Ромео и Джульетта
Golden Mask: Romeo and Juliet
Country: Russia
Year: 2017
Cast: Ekaterina Sapogova, Aleksandr Merkushev, Igor Bulytsyn, Sergei Krashenko, Ivan Sobrovin
Conductor: Pavel Klinichev
Choreographer: Vyacheslav Samodurov
Set designer: Anthony Macilwaine
Costume Designer: Irena Belousova
Lighting Designer: Simon Bennison
Genre: ballet
Language: russian
Translation: no subtitles
Time: 2 hours 28 minutes
Возраст: 12+
– Anna Galayda, Rossiyskaya Gazeta
Not aspiring to meticulously follow all the twists and turns of the sad Shakespeare’s tale’s plot, having practically departed from using pantomime, letting the dance and plasticity tell the story and express emotions, Samodurov did not sacrifice either the power of feelings, or the play of temperaments and drama. Same as in his other recent works, the choreographer with ingenuity demonstrates that devotion to the St. Petersburg classical school is not an obstacle to modernizing the language.
– Natalia Zvenigorodskaya, Nezavisimaya Gazeta
