Eugene Onegin
Year: 2008
Country: Russia
Director & Stage Designer: Dmitri Tcherniakov
Conductor: Aleksandr Vedernikov
Costume Designer: Maria Danilova
Lighting Designer: Gleb Filshtinsky
Cast: Mariusz Kwiecien, Tatyana Monogarova, Margarita Mamsirova, Andrei Dunaev, Anatoly Kotscherga, Makvala Kasrashvili
Genre: opera
Runtime: 150 min.
Age: 12+
Country: Russia
Director & Stage Designer: Dmitri Tcherniakov
Conductor: Aleksandr Vedernikov
Costume Designer: Maria Danilova
Lighting Designer: Gleb Filshtinsky
Cast: Mariusz Kwiecien, Tatyana Monogarova, Margarita Mamsirova, Andrei Dunaev, Anatoly Kotscherga, Makvala Kasrashvili
Genre: opera
Runtime: 150 min.
Age: 12+
A revolutionary production of the most popular Russian opera, featuring Mariusz Kwiecień and Tatiana Monogarova in the leading roles of a story about elusive love.
The premiere of the production took place on September 1, 2006, on the New Stage of the Bolshoi Theatre, amidst rumors of the prolonged reconstruction of the historic stage. It became an event as historic as the reconstruction of the main theater building in the country.
Dmitry Chernyakov opted against a detailed reconstruction of the Pushkin era, and not only that; many canonical details of the classic work underwent changes. It is enough to say that the scene of the duel between Onegin and Lensky significantly differs from the original, which greatly upset Galina Vishnevskaya, who "protested" against the director's arbitrary choices and refused to celebrate her anniversary at the Bolshoi.
The musical director of the production at that time, Alexander Vedernikov, recounted shortly after the premiere: "I recently received a letter: 'Alexander Vedernikov, I wanted to write 'Dear,' but my hand wouldn't allow it.' Somehow, it is believed that the new production of 'Eugene Onegin' is a desecration of national treasures. There is a certain category of people who go to the opera to experience familiar sensations once again, rather than seek new impressions. But the theater is a place that reflects the processes existing in real life. Life changes and the theater changes too. And they just cannot accept that the theater's task is not to preserve certain fixed forms."
Vedernikov aptly responded to all the outraged remarks: Chernyakov's "Eugene Onegin" represents precisely a new form of life for this great opera, fresh, vibrant, and psychologically authentic. No one has ever undertaken such interpretations of Tchaikovsky before. In harmony with the inventive direction, the ensemble of actors – under Chernyakov's guidance – performs on a par with the greatest dramatic artists: Mariusz Kwiecień as Onegin, Tatiana Monogarova as Tatiana, Makvala Kasrashvili as Larina, and Andrei Dunayev as Lensky.
Dmitry Chernyakov opted against a detailed reconstruction of the Pushkin era, and not only that; many canonical details of the classic work underwent changes. It is enough to say that the scene of the duel between Onegin and Lensky significantly differs from the original, which greatly upset Galina Vishnevskaya, who "protested" against the director's arbitrary choices and refused to celebrate her anniversary at the Bolshoi.
The musical director of the production at that time, Alexander Vedernikov, recounted shortly after the premiere: "I recently received a letter: 'Alexander Vedernikov, I wanted to write 'Dear,' but my hand wouldn't allow it.' Somehow, it is believed that the new production of 'Eugene Onegin' is a desecration of national treasures. There is a certain category of people who go to the opera to experience familiar sensations once again, rather than seek new impressions. But the theater is a place that reflects the processes existing in real life. Life changes and the theater changes too. And they just cannot accept that the theater's task is not to preserve certain fixed forms."
Vedernikov aptly responded to all the outraged remarks: Chernyakov's "Eugene Onegin" represents precisely a new form of life for this great opera, fresh, vibrant, and psychologically authentic. No one has ever undertaken such interpretations of Tchaikovsky before. In harmony with the inventive direction, the ensemble of actors – under Chernyakov's guidance – performs on a par with the greatest dramatic artists: Mariusz Kwiecień as Onegin, Tatiana Monogarova as Tatiana, Makvala Kasrashvili as Larina, and Andrei Dunayev as Lensky.
